This work is recorded with The Archipenko Foundation, New York, archive no. 233.
This work is recorded with The Archipenko Foundation, New York, archive no. 233.
Provenance
Frances Archipenko Gray, 1964 (by bequest from the artist);
Private collection, 2015.
Exhibitions
Los Angeles, UCLA Art Museum, Alexander Archipenko: A Memorial Exhibition (tour), 1967, no. 32; New York, Museum of Modern Art, Archipenko: The Parisian Years (tour), 1970-1972, illustrated; Annandale-on-Hudson, Bard College, Edith C. Blum Art Institute, Archipenko: Drawings, Reliefs, and Constructions, 1993, p. 25, no. I-5, illustrated; New York, Rachel Adler Gallery, Alexander Archipenko: The Creative Process: Drawings, Relief and Related Sculpture, 1993, no. 8 illustrated.
Literature
F. S. Wight, Retrospective for Archipenko, Art in America, v. 55, no. 3 (May - June 1967) p. 69; H. Kramer, The Two Archipenkos, New York Times, Aug. 2, 1970 p. section 2, D 17; K. J. Michaelsen, Archipenko: A Study of the Early Works 1908-1920. Doctoral Dissertation, New York and London 1977,
no. S120, p. 213, plate no. S120, illustrated;
A. Barth, Alexander Archipenkos plastisches Oeuvre, Teile I und II, Doctoral dissertation, University of Trier, 1997, no. 263, pp. 448 - 449 .