Alexander Archipenko Ukraine, 1887-1964
This work is recorded in the Archipenko Foundation with the work no. 2861.
Provenance
Frances Archipenko Gray, 1964;
Private collection, 2015 (acquired from above).
Mostre
Amsterdam, De Onafhankelijken, 3de Internationale, Beeldende Kunstenaars, 1914, checklist no. 11 (plaster);
Paris, , Champs de Mars, Salon des Indépendants, 1914, checklist no. 85 (plaster);
Winnipeg, Winnipeg Art Gallery, Alexander Archipenko Exhibition, 1962, no. 11 (another bronze);
Vienna, Schweizergarten, Museum des 20. Jahrhunderts, Die Plastiken, no. 12, illustrated (another bronze);
Washington, Smithsonian Institution, National Collection of Fine Arts, Roots of Abstract Art in America 1910-1930, 1965-1966, no. 1 (another bronze);
Los Angeles, , UCLA Art Museum, Alexander Archipenko: A Memorial Exhibition (tour), no. 22, illustrated (another bronze);
Paris, , Musée Rodin, Archipenko International Visionary (tour), 1969, no. 21, illustrated (another bronze);
New York, Solomon R. Guggenheim Museum, Selected Sculpture and Works on Paper, 1969, p. 91, illustrated (another bronze);
New York, , The Museum of Modern Art, New York, Archipenko: The Parisian Years (tour), 1970-1972, checklist no. 12 (another bronze);
London, The Arts Council of Great Britain, Hayward Gallery, Pioneers of Modern Sculpture, 1973, no. 51 (another bronze);
Philadelphia, , Philadelphia Museum of Art, Futurism and the International Avant-Garde. 1980-1981, no. 83, illustrated (another bronze);
Brooklyn, Brooklyn Museum, The Machine Age in America, 1918 - 1941 (tour), 1986-1987, checklist no. 159 (this exemple);
Washington, National Gallery of Art, Alexander Archipenko: A Centennial Tribute (tour), 1986-1987, no. 14, illustrated (another bronze);
New York, Rachel Adler Gallery, Alexander Archipenko: The Creative Process, 1991, no. 7, illustrated (this exemple);
Montreal, Landau Fine Art, Millennium Exhibition: 20th Century Masters, p. 71, illustrated (this exemple);
New York, The Ukrainian Museum, Alexander Archipenko: Vision and Continuity, 2005, no. 15, illustrated (this exemple);
State College, Palmer Museum of Art, Archipenko: A Modern Legacy (tour), 2015, (this exemple);
New York, Eykyn Maclean, Alexander Archipenko: Space Encircled, 9 November - 14 December 2018, no. 4, p. 51, illustrated (this exemple).
Literature
G. Apollinaire, [untitled article]. Les Soirées de Paris, no. 25, June 15, 1914, illustrated (plaster);
H. Hildebrandt, Alexander Archipenko, Berlin 1923, plate 11 (plaster), illustrated;
A. Archipenko, Archipenko: Fifty Creative Years 1908-1958, New York 1960, plates 137 - 138, illustrated (terracotta and plaster);
A. E. Elsen, Origins of Modern Sculpture: Pioneers and Premises, New York 1974, p. 172, illustrated (plaster);
K. Michaelsen, Archipenko: A Study of the Early Works 1908-1920, Doctoral Dissertation, New York and London 1977, no. S53, illustrated (plaster);
A. H. Barr, Painting and Sculpture in the Museum of Modern Art 1929-1967, New York 1977, pp. 418 - 519 (another bronze);
A. Barth, Alexander Archipenkos plastisches Oeuvre, Teile I und II, Doctoral Dissertation, University of Trier 1997, no. 57, illustrated (plaster).